000 | 02094nam a22003017a 4500 | ||
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003 | KWF | ||
005 | 20250218145953.0 | ||
008 | 250218b |||||||| |||| 00| 0 eng d | ||
010 | _a 2019060153 | ||
020 |
_a9781118606889 _q(epub) |
||
020 |
_a9781118606872 _q(adobe pdf) |
||
020 |
_z9781405182942 _q(paperback) |
||
082 | 0 | 0 |
_a801 _bW55 2020 |
245 | 0 | 0 |
_aWhat is literature? : _ba critical anthology / _cedited by Mark Robson. |
264 | 1 |
_aHoboken : _bWiley-Blackwell, _cc2020. |
|
300 |
_avii, 624 p. ; _c24cm. |
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336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
504 | _aIncludes bibliographical references and index. | ||
520 |
_a"Yet another remark,also bearing on Christian tragedies might be made about the conversion of Clorinda. Convinced though we may be of the immediate operations of grace, yet they can please us little on the stage, where everything that has to do with the character of the personages must arise from natural causes. We can only tolerate miracles in the physical world; in the moral everything must retain its natural course, because the theatre is to be the school of the moral world. The motives for every resolve, for every change of opinion or even thoughts, must be carefully balanced against each other so as to be in accordance with the hypothetical character, and must never produce more than they could produce in accordance with strict probability. The poet, by beauty of details, may possess the art of deluding us to overlook misproportions of this kind, but he only deceives us once and as soon as we are cool again we take back the applause he has lured from us"-- _cProvided by publisher. |
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588 | _aDescription based on print version record and CIP data provided by publisher; resource not viewed. | ||
650 | 0 |
_aLiterature _xPhilosophy. |
|
700 | 1 |
_aRobson, Mark, _d1968- _eeditor. |
|
776 | 0 | 8 |
_iPrint version: _tWhat is literature? _dHoboken : Wiley-Blackwell, 2020. _z9781405182942 _w(DLC) 2019060152 |
942 |
_2ddc _cBK |
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999 |
_c3920 _d3920 |